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The Fallas (; ) is a traditional celebration held annually in commemoration of Saint Joseph in the city of Valencia, Spain. The five main days celebrated are from 15 to 19 March, Fallas of Valencia Fundació Visit Valencia while the Mascletà, a pyrotechnic spectacle of firecracker detonation, takes place every day from 1 to 19 March. The term Fallas refers to both the celebration and the ( Falla, singular; Fallas/Falles, plural) burnt during the celebration. The Fallas ( Falles in Valencian) festival was added to UNESCO's intangible cultural heritage of humanity list on 30 November 2016. A number of towns in the Valencian Community have similar celebrations inspired by the original Fallas de Valencia festival. For example, the Bonfires of Saint John ( Hogueras de San Juan or Fogueres de Sant Joan) in Alicante or the Fiestas de la Magdalena in Castellón de la Plana.
Each neighbourhood of the city has an organised group of people, the Commission, that meets at the Casal faller, and works all year long holding fundraising parties and dinners, usually featuring the noted dish paella, a specialty of the region. Each commission produces a construction known as falla which is burned the last day of the celebration. Currently there are approximately 400 registered commissions in Valencia.
The ninots and their falles are constructed according to an agreed-upon theme that has traditionally been a satirical jab at whatever draws the attention of the fallers (the registered participants of the casals). In modern times, the two-week-long festival has spawned a substantial local industry, to the point that an entire suburban area has been designated the Ciutat fallera (Falles City). Here, crews of artists and artisans, sculptors, painters, and other craftsmen, all spend months producing elaborate constructions of paper and wax, wood and polystyrene tableaux towering up to five stories, composed of fanciful figures, often caricatures, in provocative poses arranged in a gravity-defying manner. Each of them is produced under the direction of one of the many individual neighbourhood casals fallers who vie with each other to attract the best artists, and then to create the most outrageous allegorical monument to their target. There are about 750 of these neighbourhood associations in Valencia, with over 200,000 members, or a quarter of the city's population.
During Fallas, many people wear their casal faller dress of regional and historical costumes from different eras of València's history. The dulzaina (an oboe-like reed instrument) and drum (a kind of Valencian drum) are frequently heard, as most of the different casals fallers have their own traditional bands.
Although the Falles is a very traditional event and many participants dress in medieval clothing, the ninots for 2005 included such modern characters as Shrek and George W. Bush, and the 2012 Falles included characters like Barack Obama and Lady Gaga. A literary contest organised annually since 1903 by the Lo Rat Penat cultural association recognises the work of local poets who write satirical verses in Valencian that explain these characters. The faller verses are collected in booklets ( llibrets) and distributed to participants.
But outside the Fallas proper, the Fallas season within the Valencian Community begins on the final Sunday of February and lasts till 19 March, St. Joseph's Day.
The Mascletà is almost unique to the Valencian Community, and very popular with the Valencian people. Smaller neighbourhoods often hold their own mascletà for saints' days, weddings and other celebrations.
A nighttime variant runs in the evening hours by the same pyrotechnicans that were present in the afternoon. In some days, women pyrotechnicians are selected to compete. The event is televised regionwide.
Once the City Falles Major is finally done a fireworks display - Amb de las Falles - is held at City Hall Square to pay tribute to everyone who made these works possible.
All commissions have a falla infantil (children's falles, smaller and without satirical themes), which are held a few meters away from the main one. This is burnt first, at 10:00 pm. The main neighbourhood falles are burnt closer to midnight; the burning of the falles in the city centre often starts later. For example, in 2005, the fire brigade delayed the burning of the Egyptian funeral falla in Carrer del Convent de Jerusalem until 1:30 am, when they were sure all safety concerns were addressed.
Each falla is laden with fireworks which are lit first. The construction itself is lit either after or during the explosion of these fireworks. Falles burn quite quickly, and the heat given off is felt by all around. The heat from the larger ones often drives the crowd back a couple of metres, even though they are already behind barriers that the fire brigade has set several meters from the construction. In narrower streets, the heat scorches the surrounding buildings, and the firemen douse their fronts, window blinds, street signs, etc. with water hoses to stop them catching fire or melting, from the beginning of the cremà until it cools down.
Away from the falles, people frolic in the streets, the whole city resembling an open-air dance party, except that instead of music there is the incessant (and occasionally deafening) sound of people throwing fireworks around randomly. There are many stalls selling trinkets and snacks such as the typical fried porres, churros and bunyols, as well as roasted chestnuts.
While the smaller fallas dotted around the streets are burned at approximately the same time, the last falla to be burned is the main one, which is saved until last so that everybody can watch it. This main falla is found outside the Ajuntament – the city hall building. People arrive a few hours before the scheduled burning time to get a front row view. This final falla is burned in public after the signal from the Fallera Major to officially commence.
This tradition continued to evolve. The parot was dressed with clothing so that it looked like a person; features identifiable with some well-known person from the neighbourhood were often added as well. To collect these materials, children went from house to house asking for una estoreta velleta (an old rug) to add to the parot. This became a popular song that the children sang as they gathered all sorts of old flammable furniture and utensils to burn in the bonfire with the parot. These parots were the first ninots. Over the years, people of the neighbourhoods began to organise the building of the falles, and thus the typically intricate constructions, including their various figures, were born.
Until the beginning of the 20th century, the falles were tall boxes with three or four wax dolls dressed in fabric clothing. This changed when the creators began to use cardboard. The fabrication of the falles continues to evolve in modern times, when the largest displays are made of polystyrene and soft cork easily molded with hot saws. These techniques have allowed the creation of falles over 30 metres high.
The origin of the pagan festival is similar to that of the Bonfires of Saint John celebrated in the Alicante region, in the sense that both came from the Latin custom of lighting fires to welcome spring. In València, this ancient tradition led to the burning of accumulated waste, particularly wood, at the end of winter on the feast day of Saint Joseph. Given the reputed humorous character of Valencians, it was natural that the people began to burn figurines depicting persons and events of the past year. The burning symbolised liberation from living in servitude to the memory of these events or else represented humorous and often critical commentary on them. The festival thus evolved a more satirical and ironic character, and the wooden castoffs gradually came to be assembled into progressively more elaborate 'monuments' that were designed and painted in advance.
In the early 20th century, and especially during the Spanish Civil War, the monuments became more anti-clerical in nature and were often highly critical of the local or national governments, which tried to ban the Falles many times, without success. Under the dictatorship of Francisco Franco the celebration lost much of its satirical nature because of government censorship, but the monuments were among the few fervent public expressions allowed then, and they could be made freely in València. During this period, many religious customs such as the offering of flowers to Mare de Déu dels Desamparats (Our Lady of the Forsaken) were taken up, which today are essential parts of the festival, even though they were unrelated to the original purpose of the celebration.
With the restoration of democracy and the end of government censorship, the critical falles reappeared, and obscene satirical ones with them. Despite thirty years of freedom of expression, the world view of the faller can still be socially conservative, is often sexist and may involve some of the amoralism of Valencian politics. This has sometimes led to criticism by certain cultural critics, environmentalists, and progressives. Yet there are celebrants of all ideologies and factions, and they have different interpretations of the spirit of the celebration. Although recent initiatives such as the pilota championships, literary competitions and other events have broadened its cultural expression, the city still embraces such ancient traditions to express its own singular identity."Villarroya 1992, p. 13
In 1886 the fallers refused to place the monuments in protest against the increase of the canon from 5 Spanish peseta to 60 pesetas imposed in 1851 that penalized their placement on the street. The follow-up was not complete and there were two failures.
In 1896 a state of war was declared because of the Spanish American War, and the Fallas were annulled two days before its beginning.
In the years 1937, 1938 and 1939, the Fallas were suspended due to the Spanish Civil War. The suspension did not affect the Fallas of 1936 since they had already been held when the war started. The money destined for the Fallas was destined to the republican cause at the beginning of the war.
On 10 March 2020, the Valencian Generalitat, after a Ministry of Health report, decided to suspend and postpone the parties of Fallas and all the acts that comprise it as a result of the coronavirus epidemic as a preventive measure to stop the spread of the virus. The festival was cancelled in 2021 and returned in 2022.
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